Video Production
PHOTO AUDIO VIDEO CINE MEDIA PRODUCTION
Cinema Cameras, LIVE STREAMING Cameras,
Zoom and Prime Lens, ATEM Switcher & More
Choosing a cinema or video camera is very important. Most people hear the words "Canon" "Red" or "Sony" and think the camera's MUST be good! Those are all good brands for certain things BUT remember there's a few things WE THINK are important. That's why we use BLACK MAGIC CINE CAMERAS.
Blackmagic Production 4K
The Blackmagic Design Production Camera with a large Super 35 size sensor brings you the familiar framing and behavior from the lenses you already own! The sensor features a global shutter so you get perfect panning and with minimal crop factor you also get beautiful wide angle shots from your wide angle lenses. With the EF compatible lens mount you can choose high quality optics that are designed to take advantage of the large Super 35 size sensor with minimal cropping. With a built in SSD recorder, Blackmagic Production Camera 4K easily captures 4K in ProRes 422 (HQ) and compressed CinemaDNG files. You get a 4K camera designed from the ground up to be part of your post production workflow! Unlike traditional cameras that record obscure file formats that take time to convert before you can start post production, the Blackmagic Production Camera 4K records directly to files that are compatible with your editing software. Blackmagic Production Camera 4K has been designed with portability and durability in mind. With standard connections and an internal battery inside a beautiful machined aluminum design, you can be confident that the Blackmagic Production Camera 4K will easily handle the rigors of location work.
Blackmagic Ursa Mini 4.6K
To produce cinematic images, the URSA Mini can record raw sensor data in the CinemaDNG format onto CFast 2.0 memory cards at up to 60 fps. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy to deal with on set, so in addition to uncompressed raw recording, the 4.6K URSA Mini provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.
The URSA Mini also records UHD 4K (3840 x 2160) and 1080p video using ready-to-edit ProRes files in many different flavors within the 444 and 422 chroma subsampling variations, depending on your workflow. Starting at the high end, UHD footage can be recorded in ProRes 444 XQ at a rate of 312.5 MB/s all the way down to 1080p in a ProRes 422 Proxy file coming in at a relatively paltry 5.6 MB/s data rate. Since the camera accepts dual CFast cards, you can record for long periods of time by having the camera switch cards when one is full.
Power for the URSA Mini can be supplied via a 4-pin XLR jack at the rear of the camera. With an optional plate, the URSA will accept professional V-Mount or Gold Mount batteries on the back. Once connected to power, the URSA can even distribute power through a second 4-pin XLR jack.
Blackmagic Urssa Mini Pro G2 4.6K
URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to dual CFast or dual SD cards, and an innovative USB-C expansion port for recording directly to external disks. In addition, URSA Mini Pro 4.6K G2 features a massive set of external broadcast style controls, backlit status display, foldout touchscreen monitor and more!
Panasonic HMC 15 Camera
The HMC150 features 1/3″ 16:9 progressive 3-CCD imagers that improve signal-to-noise ratio and deliver excellent low-light performance. It is equipped with a 13X Leica Dicomar zoom lens system offering an extra-wide 28mm* angle setting (the widest in its class). For stable, precise shooting in any situation, the AVCCAM camcorder features a cam-driven manual zoom ring, auto or manual operation of focus and iris, and optical image stabilization (O.I.S.). The HMC150 offers a host of selectable gamma tools including Cine-like gamma to produce warm film-like images, as well as helpful shooting functions such as a waveform monitor and a vectorscope display, focus assist and Dynamic Range Stretch (DRS).
ATEM MINI PRO ISO EXTREME
The Blackmagic Design ATEM SDI Extreme ISO Switcher is an 8-input live production switcher for live streaming. It features an integrated control panel and advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent 3G-SDI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.